The Open Access
debate takes a number of forms, and touches on a number of aspects of our
digital practices, academic, creative and everyday. So what is Open Access?
Suber
(2004) offers the following succinct definition:
Open-access literature
is digital, online, free of charge, and free of most copyright and licensing restrictions.
What makes it possible is the internet and the consent of the author or copyright-holder.
What
makes it possible is the internet…this is the argument that Lessig (2001) makes for keeping the Internet as part of the commons, as free as free speech (but
not like free beer which in every bar is always tomorrow).
Lessig’s
central claim is:
[] there is a benefit to resources
held in common and that the Internet is the best evidence of that benefit
He
also contends that the Internet forms an innovation
commons.
His
debate is not about property but about who, if anyone, controls or should control
access to these resources held in common. His book’s copyright page has the “all
rights reserved” statement crossed out, in line with the spirit of open access and
artefacts held under commons license.
Authors of the resultant report of a seminar under the auspices of the European Science Foundation (ESF), regarding Changing Publication Cultures in the Humanities, state:
Authors of the resultant report of a seminar under the auspices of the European Science Foundation (ESF), regarding Changing Publication Cultures in the Humanities, state:
We consider it important to promote
open access, to democratize access to content.
Just as the printing press began the democratization of knowledge (or at least information access), today the Internet exponentially extends that process.
The
printing press of old made hard
copies, today we live in an age of dynamic
data.
Democratic
access implies access by the many rather than by the few who up to now acted as
gatekeepers of the content and guardians of their privileged access. Again
the ESF authors encourage an open approach:
We encourage scholars to choose
open access and to take advantage of the opportunities it offers
Lessig
argues that “always and everywhere, free resources have been crucial to innovation
and creativity; that without them, creativity is crippled” and that “digital technology
could enable an extraordinary range of ordinary people to become part of a creative process.” Basically many could move from
the life of consumer to a life of creator. Clearly, Lessig feels that liberating
our natural creativity is a more meaningful way of life, and would add value to
our society. Indeed by keeping these resources free, they gain value.
Lessig
quotes Shapiro as optimistic. The ESF report is also somewhat optimistic. However,
Lessig’s own view is rather pessimistic. His view is that the freedom and neutrality
at the core of the Internet, one of the entities that should remain in the commons,
as a foundation of innovation and creativity, is under threat. One analogy in his
notes comes from a Cisco whitepaper (1999) which imagines what life would be like
if you wanted to drive to a street of bookshops but kept getting rerouted to a specific
bookshop not of your choice.
Lessig’s book dates from 2001, today when we look
for information (especially about products) we are taken in hand by recommender
systems that channel our search down a slick, well-oiled path to a specific shop
front. And the shop front may follow us around the web for several days.
According
to Lessig, the net of control is being thrown over the Internet and we are doing
nothing about it, his book’s final words. This is where the role of modern researchers
comes in. The ESF authors state:
Humanities research pertains not
only to topics within contemporary societal and cultural trends but also often to
topics outside them.
As
public intellectuals, researchers can promote knowledge democratization and ensure
free digital access to allow for a creative space open to all. Such intellectual
leadership leads to a more mature society which can have the courage to allow the
existence of a space for untethered imagination to create and share, because who
knows what the next Internet will be?
References
Lessig, L. (2002). The Future of Ideas: The Fate of the Commons in a Connected World.
Random House Inc., New York, NY, USA. http://www.the-future-of-ideas.com/download/lessig_FOI.pdf
Suber, P. (2015). Very Brief
Introduction to Open Access. Retrieved 21 November 2015, from http://legacy.earlham.edu/~peters/fos/brief.htm
Cisco
White Paper, “Controlling Your Network—A Must for Cable Operators” (1999), 5, available
at http://www.cptech.org/ecom/openaccess/cisco1.html
Aliaga-Lavrijsen,
J. (2012). Changing Publication Cultures
in the Humanities (European Science Foundation).ResearchGate. Retrieved
21 November 2015, from https://www.researchgate.net/publication/259812034_Changing_Publication_Cultures_in_the_Humanities_%28European_Science_Foundation%29
Shapiro,
A. (1999) The Control Revolution: How
the Internet Is Putting Individuals in Charge and Changing the World We Know (New York: PublicAffairs)
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